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Making a ski movie is a constant battle of conditions, terrain and travel. The Rage Films season began by driving all over the country chasing down handrails, as it continued, "global warming" and inconsistent snowfall patterns became their biggest obstacle. This made the Rage Films team quickly learn that they had to be on'call, ready to be anyplace at any time. From greasing handrails in New York to perfect conditions in Alaska, the crew was there at a moments notice. Often it meant waking up at 6 am and digging for hours, building a jump that wouldn't be hit until the following day. Or being stuck in AJK for days on end watching the snow fall, anticipating the moment it clears. Then only to negotiate slides, lines, and exposures that challenged even the most seasoned riders. In the end they were rewarded with the most technical urban, progressive backcountry, and big mountain lines that has redefined skking to the team... E
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